The Dart Center has announced the recipients of its Early Childhood Global Reporting fellowship. The fellows will work on stories across the world that address inequality, migration, and Covid-19. Learn more about the 15 fellows and their projects below.
Resources for Children & Youth
Media reporting on children and young people should never put them at risk. UNICEF has developed principles and guidelines to help journalists report on children’s issues in a way that enables them to serve the public interest without compromising the rights of children.
Tips and tools to report safely and effectively during the coronavirus pandemic, updated regularly following Dart Center webinars.
A hard-hitting investigation into residential schools for at-risk children across the state of Montana. Judges commended the “depth of reporting” and “incredible commitment on the part of a small newsroom to revisit a persistent problem concerning the on-going, unrelenting abuse of children despite claims that it had been addressed years earlier." Originally published by the Missoulian between January and November 2019.
An investigation into the violation of a decades-old Illinois law meant to protect students from being physically restrained or locked away in stark rooms as punishment. Judges described “The Quiet Rooms” as “a tour de force of investigative reporting and accountability journalism.” They called it "exhaustive," "fair," and "outstanding from all angles," applauding the “use of testimony from the protagonists in seclusion" and "situating the issue in both a state context and broader national context." Originally published by ProPublica Illinois and the Chicago Tribune between November and December 2019.
This story focuses on psychologist Jan Kizilhan, a German of Kurdish Yazidi origin, and recent graduates of his program in Psychotraumatology at the University of Duhok, Iraq who are working with Yazidi children returning to their families after years in ISIS captivity. Judges called the piece “explanatory reporting at its best,” and praised the “equally matched excellence of the writing and photography.” They noted the “lean narrative style that builds momentum with deft pacing and layering of personal and contextual details,” and the “use of different visual techniques to convey in a metaphorical way the emotional inner turmoil of the children.” Originally published in the New York Times Magazine on October 31, 2019.