Robert Nickelsberg has been photographing in Afghanistan since 1988. When he returned to Kabul this fall, he thought of a new way to cover the complexity of the conflict, focusing on those left behind: war widows. “This is really what all those deaths add up to,” he said. “The challenge for a country to take care of its people.” A Dart Center Q&A.
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Yamiche Alcindor, Donna DeCesare, Danny Spriggs and Bruce Shapiro discussed practical tactics for assessing risk and and staying safe while reporting. They shared lessons from covering protests, youth gangs, earthquakes and toxic environmental sites among others.
In 2011, at the age of 17, Anastasia Vlasova covered protests in Kiev for the first time. Three years later when the first wave of major violence erupted in Ukraine, she was studying journalism in her first semester of graduate school. “I wanted to shake people's shoulders and say, wake up! There's a war going on in our country.” A Q&A with Alan Chin.
Christoph Bangert and Alan Chin have photographed gruesome scenes around the world and argued with editors about why they are important for the public to see. Earlier this year, Bangert published a new book, “War Porn,” in which he confronts the arguments and ethics over violent imagery in new ways. In a Dart Center exclusive, the two photographers sat down to discuss their work, its origins and impact.
Thousands of pro-democracy protestors took their fight to the doorstep of Hong Kong’s chief executive despite a promise from the government to wait them out. The Occupy Central demonstrators have demanded that the city’s leader, Leung Chun-ying, resign his post or face escalated action. As the protests intensify, news professionals offer insights to reporters and photojournalists on best practices when reporting on volatile street protests.
When journalist Emine Ziyatdinova, a Crimean Tatar, returned to Ukraine earlier this year, she found herself covering a conflict that left one of her friends dead and forced her to conceal her identity. "I loved Ukraine," she said. "But I don't anymore." A Q&A with Alan Chin.
After covering Iraq, correspondent Michael Kamber felt the need to get out pictures and oral histories from colleagues that had not been seen or heard. Alan Chin, one of the photojournalists featured in the book, sat down with Kamber to discuss the making of Kamber's unique history of Iraq, Photojournalists On War.
On Tuesday, the Dart Center hosted a conversation with Pulitzer Prize-winning author Dale Maharidge and Ridenhour Prize-winning journalist Nick Turse about their acclaimed new books which revise our understanding of two very different wars. In Bringing Mulligan Home, Columbia Journalism professor Dale Maharidge goes in search of the ghosts that haunted his WWII veteran father. In Kill Everything that Moves, journalist and historian Nick Turse uncovers secret Pentagon records and tracks down survivors and perpetrators, revealing the brutal consequences of America’s military policy in Vietnam.
Brennan, who suffered a traumatic brain injury in Afghanistan and was diagnosed with PTSD upon returning home, offers a uniquely personal and clear-eyed account of military culture and life as a veteran. Judges called Brennan’s blogging “fresh,” “powerful” and “profound.” Brennan's contributions to the "At War" blog were originally published in the New York Times in 2012.