CPJ Security Guide: Covering the News in a Dangerous and Changing World
Comprehensive security guide with practical advice on risk assessment, basic preparedness, digital security, and advice on protecting yourself and staying safe.
Comprehensive security guide with practical advice on risk assessment, basic preparedness, digital security, and advice on protecting yourself and staying safe.
Part of the Dart Center-duPont Awards Lecture series at Columbia Journalism School featured Richard Engel, Chief Foreign Correspondent, NBC News. Moderator Ann Cooper spoke with Engel about covering violence and trauma in conflict zones throughout the Middle East.
After covering Iraq, correspondent Michael Kamber felt the need to get out pictures and oral histories from colleagues that had not been seen or heard. Alan Chin, one of the photojournalists featured in the book, sat down with Kamber to discuss the making of Kamber's unique history of Iraq, Photojournalists On War.
2012 Ochberg Fellow Stuart Hughes chaired a panel discussion at London's Frontline Club, which focused on today’s challenges, opportunities and risks for freelance journalists.
Award-winning journalists and married couple Santiago Lyon and Emma Daly talk about why they became war reporters, why they stopped and the difference between their lives and those of a war reporter couple in Donald Margulies' play, Time Stands Still.
Last month in Bonn, Germany, news media, intergovernmental and non-governmental organizations, politicians, artists, entrepreneurs and scientists from all over the world came together to discuss conflict in a multimedia age. The Dart Center organized panels on "The Trauma Factor: The Missing Ingredient in Conflict Journalism" and "Surviving Kidnap": You now can download or listen online to the audio.
When a situation is extremely difficult, often one keeps filming. It’s not possible to take on board entirely what’s going on. When it comes back to you — when it really sinks in — is when you have quiet time afterwards. Then you can reflect on what’s happened. That may be a ten-minute break in a firefight, or it may be on the long walk home.
A former Ochberg Fellow describes the impact of the summer war between Georgia and Russia and remembers three colleagues who died while reporting.
Thirteen conflict journalists gathered recently at Bretton Woods, N.H., to discuss their careers as war reporters and photographers, the craft of combat journalism and the challenges raised by these difficult assignments.
London’s new Frontline Club for journalists involved in the reporting of war, trauma and disaster has now formally opened its doors with a powerful discussion organised and sponsored by the Dart Centre on the role of trauma in journalism.