The Dart Center is working with researchers at The University of Tulsa to better understand women journalists’ experience with online harassment in the United States.
Resources for PTSD & Mental Health
Tips and tools to report safely and effectively during the coronavirus pandemic, updated regularly following Dart Center webinars.
A series of stories focusing on those speaking out to bring justice in European courts for a regime accused of war crimes. Judges called the series “a case study in thorough, humane, and complete reporting.” They applauded Amos for “swiftly and skillfully relating the background and current situation of each person she profiles, describing but not lingering on the traumatic situations they have endured, and then focusing on their resilience and the action to which their personal histories have spurred them." Originally broadcasted by NPR on September 24, 2019.
This multipart series focuses on rape survivor Sandi Fedor’s efforts to track down the serial rapist who attacked her as she discovers that her trust has been betrayed by the indifference of an historically under-resourced Cleveland Police sex crimes unit. Judges praised the team for “successfully intertwining a visceral survivor’s point of view narrative with traditional investigative reporting.” They said the series “meticulously documents with photographs, video clips, audio recordings, public records, police documents, and prior investigative reporting” a “pattern of systemic police department failure dating back decades” which “enabled serial offenders like the man who attacked Sandi Fedor to evade justice for years.” Originally published in the Plain Dealer on September 29, 2019.
This story focuses on psychologist Jan Kizilhan, a German of Kurdish Yazidi origin, and recent graduates of his program in Psychotraumatology at the University of Duhok, Iraq who are working with Yazidi children returning to their families after years in ISIS captivity. Judges called the piece “explanatory reporting at its best,” and praised the “equally matched excellence of the writing and photography.” They noted the “lean narrative style that builds momentum with deft pacing and layering of personal and contextual details,” and the “use of different visual techniques to convey in a metaphorical way the emotional inner turmoil of the children.” Originally published in the New York Times Magazine on October 31, 2019.
In May 2015, my producer and I were arrested while filming a documentary in Indonesia. We were put in a small jail cell for one week, then placed under house arrest in a hotel for two months before being sent to prison to await trial. The charges hanging over us could have led to anything from immediate release, to 22 years in prison.