Thomson Reuters will cover the costs for up to fourteen freelance journalists to attend a five-day Hostile Environment Training course run in Belfast, Northern Ireland.
Following the unveiling of a memorial for Australian war reporters, media commentators called into question guidelines set out in the Pentagon’s recently released “Law of War” manual.
A series of three reports from the Tow Center for Digital Journalism on best practices and lessons learned for journalists covering terrorism across various platforms.
A new safety resource for journalists in Syria aims to help those working in or near the country to better protect themselves amid unprecedented threats and a lack of security information.
The Dart Center offers an intensive four-day crisis reporting course to prepare journalists to think critically about how to work safely and effectively in volatile situations such as war, conflict and disaster zones, with an emphasis on risk assessment and harm prevention.
Article from the Committee to Protect Journalists on the unprecedented challenges faced by conflict reporters today, and how best to adapt to the changing nature of wars around the world.
As hundreds of thousands prepare for this Saturday's 100 year anniversary of Anzac Day, journalists must ensure they are promoting healing, not reopening old wounds.
In 2011, at the age of 17, Anastasia Vlasova covered protests in Kiev for the first time. Three years later when the first wave of major violence erupted in Ukraine, she was studying journalism in her first semester of graduate school. “I wanted to shake people's shoulders and say, wake up! There's a war going on in our country.” A Q&A with Alan Chin.
Comprehensive security guide with practical advice on risk assessment, basic preparedness, digital security, and advice on protecting yourself and staying safe.
Christoph Bangert and Alan Chin have photographed gruesome scenes around the world and argued with editors about why they are important for the public to see. Earlier this year, Bangert published a new book, “War Porn,” in which he confronts the arguments and ethics over violent imagery in new ways. In a Dart Center exclusive, the two photographers sat down to discuss their work, its origins and impact.