Donna DeCesare speaks with Kael Alford about her evolution as a photojournalist and the connections between her efforts to document the oil-driven war in Iraq and the impact of unfolding natural disasters in the Gulf of Mexico on fragile Louisiana communities.
Resources for Disaster
Five years after Hurricane Katrina, the Gulf Coast faces another disaster–the Deepwater Horizon oil spill. A staff writer for The New Orleans Times-Picayune reflects on how lessons from the storm shape coverage of the latest crisis.
The Deepwater Horizon oil spill is different from a war or an earthquake, but the traumatic impact is just as real. The challenge to journalists is to report the slow-motion disaster while seeking stories of resilience and possible recovery.
This gripping narrative, which exposes the decision-making that left 18 patients dead after injections of painkillers and sedatives in a flooded hospital in New Orleans, is a winner of the 2010 Dart Award for Excellence in Coverage of Trauma. It was originally published by ProPublica and The New York Times Magazine in August, 2009.
In a multimedia presentation on covering gangs and paramilitaries, earthquakes and HIV, a photographer and educator explores how collaboration is the key to making images that are both powerful and responsible.
Mata’afa Kene Lesa woke up in heaven Sept. 19 and found himself in hell. When a tsunami struck Upolu, one of Western Samoa’s two main islands, Lesa – the editor of Samoa Observer – was one of the first local journalists to respond, racing to the affected area to be met by scenes of death and devastation.
What has become known as the "Black Saturday Bushfires" is Australia’s worse natural disaster to date. On Feb. 7, 2009, temperatures of 46 degrees Celsius and winds of 100 km per hour created explosive firestorms with 1500 times the energy of the nuclear bomb dropped on Hiroshima.