Five years after Hurricane Katrina, the Gulf Coast faces another disaster–the Deepwater Horizon oil spill. A staff writer for The New Orleans Times-Picayune reflects on how lessons from the storm shape coverage of the latest crisis.
The Deepwater Horizon oil spill is different from a war or an earthquake, but the traumatic impact is just as real. The challenge to journalists is to report the slow-motion disaster while seeking stories of resilience and possible recovery.
This gripping narrative, which exposes the decision-making that left 18 patients dead after injections of painkillers and sedatives in a flooded hospital in New Orleans, is a winner of the 2010 Dart Award for Excellence in Coverage of Trauma. It was originally published by ProPublica and The New York Times Magazine in August, 2009.
As a seasoned photographer coolly documents the earthquake in Haiti's dreadful consequences, a Dart Society writer grapples with the inevitable emotional distress.
As the first wave of exhausted news teams rotates out, the story enters a new phase — and news managers need to be prepared to provide informed support.
In the wake of a devastating earthquake in Haiti, tools for in-country reporters and local journalists to cover the story.
In a multimedia presentation on covering gangs and paramilitaries, earthquakes and HIV, a photographer and educator explores how collaboration is the key to making images that are both powerful and responsible.
Mata’afa Kene Lesa woke up in heaven Sept. 19 and found himself in hell. When a tsunami struck Upolu, one of Western Samoa’s two main islands, Lesa – the editor of Samoa Observer – was one of the first local journalists to respond, racing to the affected area to be met by scenes of death and devastation.
What has become known as the "Black Saturday Bushfires" is Australia’s worse natural disaster to date. On Feb. 7, 2009, temperatures of 46 degrees Celsius and winds of 100 km per hour created explosive firestorms with 1500 times the energy of the nuclear bomb dropped on Hiroshima.
Along the Line of Control that marks the border between India and Pakistan, a senior journalist's life is one nightmare after another.