Your mental wellbeing is going to be important when you are faced with reporting a tense, politically charged story for an extended time duration. Prepare yourself for the long haul and a situation whose great intensity is unlikely to subside anytime soon.
Resources for Featured Articles, War & Civil Conflict, Self-Care & Peer Support
You are reporting on an important story with wide ranging personal and national impacts. It is important you understand and prepare for what are likely to be testing circumstances. Do not underestimate these multi-faceted challenges.
In September 2017, the Dart Center hosted journalists and Ochberg Fellows Finbarr O'Reilly and Thomas Brennan for a conversation about their joint memoir, Shooting Ghosts: A U.S. Marine, a Conflict Photographer, and Their Journey Back from War. Scroll down for the full event video and a lightly edited transcript.
Seamus Kelters, who died suddenly on September 27, 2017, was an influential chronicler of Northern Ireland’s civil conflict and co-author of Lost Lives: The Story of the Men, Women and Children Who Died As A Result of the Northern Ireland Troubles. An early Dart Center Ochberg Fellow, he played a central role in the evolution of trauma-aware journalism. We asked several friends and colleagues for remembrances of Seamus and his work. Below, reflections and recollections by Susan McKay, Scott North, Donna DeCesare, Frank Ochberg, Joe Hight, Elana Newman, Gavin Rees and Bruce Shapiro. Scroll down for excerpts, and click to the right to read the full pieces.
Yamiche Alcindor, Donna DeCesare, Danny Spriggs and Bruce Shapiro discussed practical tactics for assessing risk and and staying safe while reporting. They shared lessons from covering protests, youth gangs, earthquakes and toxic environmental sites among others.
After covering Iraq, correspondent Michael Kamber felt the need to get out pictures and oral histories from colleagues that had not been seen or heard. Alan Chin, one of the photojournalists featured in the book, sat down with Kamber to discuss the making of Kamber's unique history of Iraq, Photojournalists On War.
When a situation is extremely difficult, often one keeps filming. It’s not possible to take on board entirely what’s going on. When it comes back to you — when it really sinks in — is when you have quiet time afterwards. Then you can reflect on what’s happened. That may be a ten-minute break in a firefight, or it may be on the long walk home.