Sarah Stillman: What drew you to this line of work and what are the things that make you feel the most alive about being the kind of reporter that you are?
Marcela Gaviria: I love the sense of adventure and just getting to meet people from all walks of life. From the powerful to the indigent. And I'm curious about the world. So it's just incredibly fun to go out there and do my job. I'm also a storyteller. As a reporter, it's just so interesting to learn about things firsthand, and not just read about it.
Sarah Stillman: I’d love to get a little bit of your thoughts on what sexual harassment is. I'm wondering if you might be willing to try to define it for us?
Marcela Gaviria: I guess we all know there's a line somewhere. And it's a line that defines where you're comfortable and where you're uncomfortable. And sexual harassment is when somebody crosses that line.
So I think it can be as broad as that. We all have different boundaries and we all have a different sense of what's appropriate and what isn't. There's not a really clear definition. It's just a sense that something isn't right and it doesn't feel right to you, and you shouldn't accept it.
Sarah Stillman: That's really helpful. It's nice to be reminded of how personal those boundaries are. What is uncomfortable for one person may not be the same as what's uncomfortable for another.
I mentioned to you one of the reasons that we're pursuing this video is how often we hear students, or people of the school talk about times when sources have crossed boundaries with them that made reporting very difficult or just made it tough to do their jobs. And so I'm wondering if you might feel comfortable sharing times that that's happened to you in the field, if anything specific comes to mind. Even an instance where you felt you were up against that.
Marcela Gaviria: I've been thinking about it, and I feel like I've felt in more danger than I have actually felt imminent threat of somebody doing something inappropriate to me.
You always get into these situations where, for instance, I had landed an interview with a father of a certain person that's behind bars. And he started writing me inappropriate letters and calling me at odd hours. And I needed to maintain this relationship with him, because he was central to the story I was working on. But it was really uncomfortable and a bit of a catch 22, because he didn't want to talk to anyone else in the office.
Luckily I work for television so I'm often with a team and I can always bring my associate or my colleague or my cameramen. So, I don't necessarily have to insert myself in a place that makes me feel uncomfortable or dangerous, because I'm often with a team of two or three or four.
But on the other hand, this was crossing the line at times. When it was after work, or he would say, "I need to talk to you, I've discovered something." And then I’d have to call him back and it would be like great. So there's a guy talking about how horny he's feeling, and you just have to be really direct. And if you lose the source, that's what happens. There are certain things you shouldn't tolerate.
Sarah Stillman: Can you walk us through how you did handle that circumstance? Like, when this guy, who you do recognize as critical for the story, starts making those comments. How did you think about that?
Marcela Gaviria: I think I'm known for being very blunt. And so I just said, you know "I really appreciate you participating, you're somebody that's crucial to this story. I need your point of view, but I don't feel comfortable with what you're doing and it has to stop."
And that was it. So ...
Sarah Stillman: That's so helpful, actually. It's nice to be reminded that being extremely direct is an option, sometimes.
Marcela Gaviria: Right. I guess it doesn't always work. I was listening to Harvey Weinstein the moment in the hallway of some hotel and the person on the other end was being quite direct about what was making her feel uncomfortable. And yet, sometimes you get in that situation where even when you're direct it doesn't work.
Sarah Stillman: Are there times when you've gone to colleagues or editors to talk it through? Or other people that you work with?
Marcela Gaviria: I think I joke about it. For a while there, I had something that I thought was quite fabulous, which was a Waziri Tribal Lord wanted to make me his third wife. And I thought that would be just phenomenal because it would improve my autobiography.
But it was obviously inappropriate, but I thought it was sort of hilarious. And so I bragged about it for months. So, as I was saying, that is the line. You know, sometimes you feel quite comfortable with something, and sometimes you don't. And I guess it all depends on whether you find it intimidating or scary or creepy or, whatever it might be that makes you determine how you feel.
Sarah Stillman: We've been talking through with people about the different contexts in which this unfolds. And some of these things feel very context specific, such as online harassment. I'm not sure if that's something you've faced at all.
Marcela Gaviria: No, I haven't had any instances of that.
Sarah Stillman: The example you just gave might be one where there might also be cultural divides that are being experienced. And I wonder, given that you’re a news reporter in all this different terrain, if you've ever been up against times when there were just maybe different cultural expectations in a given circumstance?
Marcela Gaviria: Well, I think what's difficult about being a woman is that clearly sometimes your feminine attributes are an asset in the field. And it can be because you're more nurturing and someone will identify with you because you are a woman. So you do kind of put yourself in a funny position where you know that being a woman might get you something you need to get, and yet it's a fine line between using it and kind of crossing this invisible line. Where suddenly those attributes get you in trouble.
Sarah Stillman: And can you think of any time when it felt helpful?
Marcela Gaviria: All the time. I mean, I, I often think because I work in television a lot of the times the colleagues I work with, they'll be two guys and me and we discuss who has the best chance of getting something. And sometimes we determine for sexist reasons that perhaps I would. I don't want it to sound so, but I'm trying to be honest. You think well should I put a little more lipstick on when I'm going there. I guess that's me being quite honest because it's the unspoken truth.
We are all human beings and we will use whatever advantage we have. Either because we're gregarious, or we're charming, or we're stern. Or whatever those reasons might be. You know, we're trying to figure out how to, how to get the news.
Sarah Stillman: I'm wondering if you could describe what advice you have for younger female journalists, or female journalists in general who find themselves in situations where they might feel threatened? Or uncomfortable when they're out reporting in the field?
Marcela Gaviria: Well, my advice is a little bit more the kind of advice that would, I think help you not get into trouble from a predator or somebody that's going to kidnap you. Or, you know, there all those sort of same kind of techniques.
Sometimes I show up early to a location and scope it out. Just get a sense of if there are people that seem to be threatening, or menacing. I show up at a time that's unpredictable. So I'll either show up early or late. I try to always go with somebody if I feel like it's going to be a problem. And I'll just make up an excuse. Like I'll say “my diver wants to use the bathroom. Oh and please don't leave, you know, just stay there." So I come up with decoys that that might help out.
It’s often important to just check in with people, even in the middle of an interview. Just break every 20 - 30 minutes and say "I'm still here, I'm okay." And make sure they're checking in on you. Common sense sort of stuff. Make sure if the person scares you to meet in a place that's open, like, have coffee with somebody in a location where there's lots of people coming in and out.
Don’t meet with people in dark corners. Always find a place that's fully illuminated and makes you feel safe. Simple things. I think, when danger happens though, there's no sort of soundtrack for that that can cue you in and, and let you know that something really bad is going to happen. Often, you are in a lot of danger, and you don't even know you are. Things will happen out there, and you can't always predict, and you can't always prepare. And, it's part of the job.
Sarah Stillman: What are some of the tools you have come upon to help you navigate the less predictable dimensions of this stuff? When you do feel like you've arranged things the way you've hoped to arrange them, and maybe you showed up late to throw people off, but then things come out of the blue that you weren't anticipating. Are there any best practices beyond some of what we've already talked about?
Marcela Gaviria: I've only been in circumstances where I've been retained by the FARC and taken and I wasn't quite expecting it. I think you just have to be calm, try to figure out if there's any way that you can talk to the person in charge. Look them in the eye. Make them know that you want to communicate. You want to be rational, and just show leadership. I might be deceiving myself, but I've always thought that if you act like you're panicked and things are going badly, you lose an edge.
So I just believe in keeping calm and, and showing strength. I've been in a position where they've held guns at us, and everybody in the car ducked and I didn't. And afterwards everybody was like, "Why didn't you duck?" And I was like "I didn't want a sudden movement to alarm anybody." So I just stood there, paralyzed. And, I think we would have all died if they fired. So, anyway, that didn't happen.
Sarah Stillman: Do you feel comfortable saying more about what happened with FARC?
Marcela Gaviria: It was a very difficult moment. I was a very young journalist. I think it might have been '94. I didn't have a lot of experience. I drove down a mountain looking for poppy fields to tell a story. I got out of the car with my cameramen and my sound man. And I realized that the whole village was empty.
I thought there had been a massacre because it was just so eerie. It was too quiet. And all of a sudden 12 men jumped out from behind this house and pointed guns at us and said "We're the Revolutionary Armed Forces of Colombia and we are taking you under our command. Please walk this way, you have to go see the chief." And I was like "Like around the corner? Or, where are we going?" And they said "No, you must get on this donkey and, we're, we're going into the mountain."
And this was at a time where people were being held for 8, 10 years, sometimes. So, I have a physical limitation, which is I had cancer in my leg. I think that actually saved me because the fact that I wasn't physically able to put up with the requirements of being on a donkey day after day. They let me go after three days, but my cameramen and soundman lasted a lot longer.
So guilt about being a woman. But I think they let me go partly because I wasn't as strong as the other ones.
Sarah Stillman: Wow, and has that posed other complications you've had to navigate in the field? Like, the combination of being a woman and having scenarios where you felt that you were being judged physically with different terms?
Marcela Gaviria: Well, the cane I think is a bit of a lucky charm. It sort of disarms people, so wherever I go, it's kind of like "Oh, take her in, make sure she's sitting down, give her some extra tea." So I think people aren't expecting somebody in Iraq or Afghanistan to show up with a cane. And, I think it's helped me in life, but it also slows me down.
Sarah Stillman: I'm so curious, it was interesting hearing that story from a younger moment. I think, even though I'm only- what am I, 33? I feel like there's already a lot of ways in which my approach to reporting has changed from the way it was when I was in my early 20s. Partly based on some of these experiences of negative boundary crossings. I wonder if there's any ways that you feel like your judgment is different now and tools and tactics that you've acquired over time that maybe you didn't have originally?
Marcela Gaviria: I'm a lot more cautious. When I was young I thought nothing could happen to me. And you'd get yourself into situations and you weren't really reading the cues.
Did people smile when I entered the town or were they sort of looking at me with suspicion? You just don't quite know how to read that sort of situation. Now I sort of think about things twice. Like just last week I was at the border and I needed to film late at night, and I needed to film something on the Rio Grande. And I happened to be with a camera woman, and it would be the two of us, at 5:00 a.m. in pitch black. Maybe a coyote would show up, I have no idea. But it, it did sort of feel like "What am I doing? Maybe I can find a piece of the river that's not as beautiful, but where I'll be, feel a little safer." So, we opted for the latter.
Sarah Stillman: It sounds like some of it is just learning to trust your gut and intuition.
Marcela Gaviria: Right.
Sarah Stillman: Sometimes having to not do things that you might otherwise.
Marcela Gaviria: Well, I feel like caution is important, and you should learn to read your gut. You don't always know, but if someone seems a little creepy, he probably is creepy. And, and that's what we do as journalists. We read people, you know? We look at who they are. We profile them. We make decisions based on whether we think they're kind, or, bad, or corrupt, or evil. And hone in on those instincts and just trust yourself.
Sarah Stillman: That's a very helpful lesson. I just have a few more questions. What you think the profession could do? Journalism, journalists and journalism as a profession to discourage this type of unwanted behavior? Hopefully that's a conversation we can help to provoke.
Marcela Gaviria: I guess the more that we report on what's inappropriate and actually shame the perpetrators of these acts, people will realize that these things are inappropriate. I guess it's so present because the Harvey Weinstein scandal just broke. What you realize is that a lot of men when I was talking to friends at lunch the other day at work, it was odd that certain behaviors didn't seem that inappropriate to men. They weren't sure, whereas the women in the table were like "Yeah, that's really inappropriate." So, I think we have to talk about these things more openly and really just educate both sexes. And be part of that conversation.
Sarah Stillman: Were there other things that you wanted?
Marcela Gaviria: Well you don't want to become paranoid. I think we all know that unwanted advances happen all the time. It's sort of part of biology. I mean, I don't know much about nature, but I'm sure if you look at any animal in the planet, this is part of who we are, you know.
When something feels uncomfortable, just address it head on. And, I think your boss will end up respecting you for it. I've had situations that I don't even want to describe on camera. They gross me out. And it was a man in power who was my boss, who put me in a situation that, it wasn't even that I was uncomfortable, it was completely inappropriate.
And they think they can get away with it, and then the incident is over and you wake up the next day and you say "I'm really sorry, but I can't work with you because what happened last night wasn't cool." And so I lost my job. You know? It's okay.
Sarah Stillman: I'm really sorry to hear that story. That's devastating and completely unacceptable, you should have to lose your job in that kind of arrangement.
It seems like you have a real gift with being direct. I think that's one of the biggest things that so many of the women I care about, and certainly myself. I really struggle with that. I'm wondering if you could coach us on how you've managed to. So, maybe we can take that in two parts. One is how do you think about navigating the workplace stuff that's come up in situations like what you've just described? I think you just gave us some really good language, but is there anything else you would want to share about that?
Marcela Gaviria: Well, it's a risk, but you can't put yourself in a place where it's going to continue to happen, or you are then undermining who you really are and the value that you have, just because somebody thinks they can take advantage of you.
I mean I've never lost that battle. I feel like I've always been up front, direct, and they're like "Whoa, okay, don't mess with her." And I still, I'm flirtatious, I'm loving ... and if it feels good on the other side and appropriate then it's fine. And if it doesn't, then be direct.
Sarah Stillman: So my mom actually has this phrase that she taught me that I tell it to all my friends cause I find it's the single most helpful thing. And it's so simple. It's just um, "I'm sorry that's just not going to work for me."
Because I realize you often think that you have to explain. And a facet of directness I did not learn as a child is that you can just say what you need, and say what's not okay. And so I'm wondering if you might be able to give us any other examples of language that you use or any tips you have on just directness, given that you seem able to have marshaled that. I don't mean to put you on the spot but how do you think you've done that? Or are there other examples or just terms that come to mind? Or exchanges where you were able to find those words? Or what would you say to young women who don't feel that they can be direct or worry about the consequences of it?
Marcela Gaviria: Yeah, I don't think one has to explain. It's not like you have to sit there and say "I think you're really attractive, but um you know." Or "I really admire you." I just think "Look, this makes me feel really uncomfortable and I want it to stop."
What are they gonna say? If they tackle you and do other stuff at that moment I'd be sort of stunned. But I can't think of anything other than being direct.
Sarah Stillman: That’s very helpful and it's nice to be reminded that that really is an option.
Marcela Gaviria: Yeah, I think a lot of people sit there and they're like "I'm so sorry." "Don't take it personally." You know, like, no. You have to stand up for yourself.
Sarah Stillman: Is there anything that you would want to say about men's place in this conversation on the record? Just about where you see them fitting into the equation when it comes to talking about sexual harassment?
Marcela Gaviria: Well, it's all about power, right? I mean these things happen when somebody thinks they have power over you and you won't tell anybody because you're afraid of losing your job. Or you're afraid of not getting the job.
If you put yourself in a position where you're willing to lose these things and because you lose your job, or not get the job as a result, I think that is a consequence and, and I think men should talk about how they feel putting women in that situation.
Sarah Stillman: Yeah. So often it's the people who don't want to have that conversation or even know that's a conversation being had, or one that should be had. Those are the ones who most need to have it, and it feels like a vexing paradox.
Marcela Gaviria: You know and you read a Harvey Weinstein's letter of apology and it's sort of like, "Well, I grew up with a different sort of, in a different society. I didn't know these things were wrong." And I do feel like it's the older guys that are using this excuse more often.
I've never, ever had a situation with somebody that was my age. It's always the older guy. So I don't know what that means. Maybe they didn't learn something back then.
And maybe it happens to women all the time with somebody that's younger. But it would be interesting to figure out. I just don't have a sense.
Sarah Stillman: I feel like maybe some of that is also the power dynamic thing. So, maybe, I would like to feel it's phasing out generationally and hopefully we're moving in better directions. But I also fear it just gets more nuanced. Like the ways people act and the manipulations that they try to pull off.
Ariel Ritchin is the Senior Producer for the Dart Center for Journalism & Trauma, a project of Columbia University Graduate School of Journalism encouraging innovative reporting on violence, conflict and tragedy worldwide. He directs and oversees all editorial content and leads strategic and digital initiatives, while managing specialized programs, workshops and trainings for reporters all over the world. Ariel is a multimedia journalist whose audio and video work has appeared on Life of the Law, NBC News and PBS Newshour, among others. He has previously worked in the multimedia department at the ACLU and as a video editor for Lucky Tiger Productions. He is a Humanity in Action Senior Fellow and a Posse Foundation Scholar. Ariel holds an M.S. from Columbia University's Graduate School of Journalism and a B.A. from Middlebury College.
This documentary, available online and on DVD, features a wide range of Australian journalists their recounting experiences covering traumatic stories.
Whether clinicians like it or not, children and families affected by trauma are routinely covered by the media. When that happens, clinicians often face difficult choices.
In conjunction with the Australian Broadcasting Corporation, Dart Centre Asia Pacific created a teaching video on the treatment of news sources. The project was developed to supplement teaching materials for journalism educators.
Trauma and Recovery: The Aftermath of Violence from Domestic Abuse to Political Terror
Integrating clinical and social perspective without sacrificing either the complexity of individual experience or the breadth of political context, "Trauma and Recovery" brings a new level of understanding to the psychological consequences of the full range of traumatic life events.
Achilles in Vietnam: Combat Trauma and the Undoing of Character
Jonathan Shay is a Boston based psychiatrist caring for Vietnam combat veterans diagnosed with severe, chronic post-traumatic stress disorder. In this unique and revolutionary book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with many of his patients, Vietnam veterans struggling with PTSD . Although the Iliad was written twenty-seven centuries ago, so much can be learned about combat trauma, especially when it is threaded through the compelling voices and experiences of Vietnam vets.
Journalists under Fire: The Psychological Hazards of Covering War
War journalists, like all who have prolonged exposure to violence, come home emotionally maimed and often broken. And yet, a news culture in denial has pretended that war journalists are immune from trauma. This fit into the macho culture of war journalism. It also assuaged the consciences of those running news organizations, who often crumple up and discard, years later, those they send to war. Dr. Feinstein has provided us with research that is a chilling reminder that war journalists are human, as well as a searing indictment of major news conglomerates who have refused to acknowledge or address the suffering of their own.
PTSD and Veterans: A Conversation with Dr. Frank Ochberg
How do we help veterans who are returning from war with PTSD? Dr. Frank Ochberg, a leading authority on PTSD, shares his experiences, seasoned insights and suggestions in this intimate conversation with reporter Mike Walters. He shares his insights regarding common symptoms to look out for and the importance of building trust and other aspects of the patient-therapist relationship. He then explains techniques he has developed that help his clients work through the trauma and adapt to civilian life.
Mapping Trauma and Its Wake: Autobiographic Essays by Pioneer Trauma Scholars
Mapping Trauma and Its Wake is a compilation of autobiographic essays by seventeen of the field's pioneers, each of whom has been recognized for his or her contributions by the International Society for Traumatic Stress Studies. Each author discusses how he or she first got interested in the field, what each feels are his or her greatest achievements, and where the discipline might - and should - go from here. This impressive collection of essays by internationally-renowned specialists is destined to become a classic of traumatology literature. It is a text that will provide future mental health professionals with a window into the early years of this rapidly expanding field.
Post-Traumatic Therapy And Victims Of Violence (Psychosocial Stress Series)
Frank M. Ochberg, MD is adjunct professor of psychiatry, criminal justice and journalism at Michigan State University. He served in the cabinet of Governor William Milliken as Mental Health Director. His book, Post Traumatic Therapy and Victims of Violence, is widely acclaimed as one of the leading resources in the field.
In this long-awaited memoir, Lifton charts the adventurous and surprising course of his fascinating life journey, one that took him from what he refers to as, "a Jewish Huck Finn childhood in Brooklyn, to deep and meaningful friendships with many of the most influential intellectuals, writers, and artists of our time—from Erik Erikson, David Riesman, and Margaret Mead, to Howard Zinn and Kurt Vonnegut, Stanley Kunitz, Kenzaburo Oe, and Norman Mailer.
This work is more than a memoir, it is also a remarkable study of Hiroshima survivors. Lifton explored the human consequences of nuclear weapons, and then went on to uncover dangerous forms of attraction to their power in the spiritual disease he calls nuclearism. Lifton writing illuminates the reversal of healing and killing in ordinary physicians who had been socialized to Nazi evil. Written with the warmth of spirit—along with the humor and sense of absurdity—that have made Lifton a beloved friend and teacher to so many, Witness to an Extreme Century is a moving and deeply thought-provoking story of one man’s extraordinary commitment to looking into the abyss of evil in order to help others move past it.
Odysseus in America: Combat Trauma and the Trials of Homecoming
In this original psychological literary work, Dr. Jonathan Shay continues what he started in his book, Achilles in Vietnam. Uses the Odyssey, the story of a soldier's homecoming, Shay sheds light on the pitfalls that trap many veterans on the road to recovery, the return to civilian life. The combination of psychological insight and literary brilliance feels seamless. Shay makes an impassioned plea to renovate American military institutions and in doing so deepens the readers understanding of the veteran's experience.
Trauma Journalism personalizes this movement with in-depth profiles of reporters, researchers and trauma experts engaged in an international effort to transform how the media work under the most difficult of conditions.Through biographical sketches concerning several significant traumatic events (Oklahoma City bombing, Columbine school tragedy, 9/11, Iraq War, the South Asian tsunami, Hurricane Katrina), students and working reporters will gain insights into the critical components of contemporary journalism practices.
After the War Zone: A Practical Guide for Returning Troops and Their Families
Two experts from the VA National Center for PTSD come together in this work to provide an essential resource for service members, their spouses, families, and communities. They shed light on what troops really experience during deployment and once they return home. Pinpointing the most common after-effects of war and offering strategies for troop reintegration to daily life, Friedman and Slone cover the myths and realities of homecoming; reconnecting with spouse and family; anger and adrenaline; guilt and moral dilemmas; and PTSD and other mental-health concerns. With a wealth of community and government resources, tips, and suggestions, After the War Zone is a practical guide to helping troops and their families prevent war zone stresses from having a lasting negative impact.
Resilience: The Science of Mastering Life's Greatest Challenges
Experiencing trauma at some point in life is almost inevitable, overcoming it is not. This inspiring book identifies ten key ways to weather and bounce back from stress and trauma. Steven M. Southwick incorporates the latest scientific research and interviews with trauma survivors. This book provides a practical guide to building emotional, mental and physical resilience after trauma.
Trauma Therapy in Context: The Science and Craft of Evidence-based Practice
This book examines several current clinical approaches to trauma-focused treatment. Rather than describe theoretical approaches in isolation, the editors have integrated these interventions into a broader clinical context. Chapter authors emphasize basic therapeutic skills such as empathic listening, instilling resilience, and creating meaning, in the service of empirically-supported, highly efficacious trauma interventions. Throughout, they focus on the real-life challenges that arise in typical therapy sessions to deepen our understanding and application of evidence based interventions.
While this book is intended for all clinical mental health professionals who work with trauma survivors it is also a phenomenal resource for those who seek to broaden their understanding of the way various approaches to understanding treatment of trauma.
The award-winning author and noted psychiatrist Robert Jay Lifton offers a powerful critique of American militarism during the Vietnam War. Home from the War is recognized as the ultimate text for those working with Vietnam veterans, the book's insights have had enormous influence among psychologists and psychiatrists all over the world.
The Nazi Doctors: Medical Killing and the Psychology of Genocide
The Boston Globe called this book, "A powerful reminder not only of what happened, but of the monumental evil done by the particular human beings who were trained to heal and cure."
Based on arresting historical scholarship and personal interviews with Nazi and prisoner doctors, the book traces the inexorable logic leading from early Nazi sterilization and euthanasia of its own citizens to mass extermination of "racial undesirables."This extraordinary work combines research and analyzation to describe a seemingly contradictory phenomenon of doctors becoming agents of mass murder. With chilling literary power, Lifton describes the Nazi transmutation of values that allowed medical killing to be seen as a therapeutic healing of the body politic.
When Trauma and Recovery was first published in 1992, it was hailed as a groundbreaking work. In the intervening years, Herman’s volume has changed the way we think about and treat traumatic events and trauma victims. In a new afterword, Herman chronicles the incredible response the book has elicited and explains how the issues surrounding the topic have shifted within the clinical community and the culture at large.
Covering Violence: A Guide to Ethical Reporting About Victims & Trauma
More essential now than ever, Covering Violence connects journalistic practices to the rapidly expanding body of literature on trauma, post-traumatic stress disorder, and secondary traumatic stress, and pays close attention to current medical and political debates concerning victims' rights.
Sharing the Front Line and the Back Hills is a story that points to a crisis facing international institutions and the media who seek to alleviate and report human suffering throughout the world. The goals of the editor are to tell the story of thousands of individuals dedicated to helping others; and to integrate issues of protection and care into all levels of planning, implementing and evaluating international intervention and action. The book identifies approaches that have proven useful and explores and suggests future directions.
The Roots of Evil: The Origins of Genocide and Other Group Violence
Ervin Staub explores the psychological, cultural, and societal roots of group aggression. He sketches a conceptual framework for the many influences on one group's desire to harm another: cultural and social patterns predisposing to violence, historical circumstances resulting in persistent life problems, and needs and modes of adaptation arising from the interaction of these influences.
Drawing on more than 30 years of criminal justice experience, author Susan Herman explains why justice for all requires more than holding offenders accountable it means addressing victims three basic needs: to be safe, to recover from the trauma of the crime, and regain control of their lives.
Arnold Isaacs, who spent the final years of the war in Vietnam as a correspondent for the Baltimore Sun, describes his firsthand observations of the collapse of Cambodia and South Vietnam―from the 1973 Paris peace agreement to the American evacuation of Saigon and its aftermath―with heartbreaking detail, from the devastated battlefields and villages to the boats filled with terrified refugees.
Lost Lives: The Stories of the Men, Women and Children who Died as a Result of the Northern Ireland Troubles
This is the story of the Northern Ireland troubles told as never before. It is not concerned with the political bickering, but with the lives of those who have suffered and the deaths which have resulted from more than three decades of conflict
A Country Called Amreeka: U.S. History Retold through Arab-American Lives
The history of Arab settlement in the United States stretches back nearly as far as the history of America itself. For the first time, Alia Malek brings this history to life. In each of eleven spellbinding chapters, she inhabits the voice and life of one Arab American, at one time-stopping historical moment.
This book seeks to tell the life stories of the innocent men and women who have been needlessly swept up in the “war on terror.” As we approach the ten-year anniversary of 9/11, this collection of narratives gives voice to the people who have had their human rights violated here in the U.S. by post-9/11 policies and actions.
Unsettled/Desasosiego: Children in a World of Gangs/Los niños en un mundo de las pandillas
With profound empathy for a reality that is too easily defined and dismissed as repugnant, Unsettled/Desasosiego takes us on a visual journey into the lives of children deeply affected by civil war and gang violence.
Legal Lynching: The Death Penalty and America's Future
Legal Lynching offers a succinct, accessible introduction to the debate over the death penalty's history and future, exposing a chilling frequency of legal error, systemic racial and economic discrimination, and pervasive government misconduct.
War Photographer is a documentary by Christian Frei about the photographer James Nachtwey. As well as telling the story of an iconic man in the field of war photography, the film addresses the broader scope of ideas common to all those involved in war journalism, as well as the issues that they cover.
Shake Hands with the Devil: The Failure of Humanity in Rwanda
For the first time in the United States comes the tragic and profoundly important story of the legendary Canadian general who "watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect.
Blood and Soil: A World History of Genocide and Extermination from Sparta to Darfur
In Blood and Soil, Kiernan examines outbreaks of mass violence from the classical era to the present, focusing on worldwide colonial exterminations and twentieth-century case studies including the Armenian genocide, the Nazi Holocaust, Stalin’s mass murders, and the Cambodian and Rwandan genocides.
Ophuls examines attitudes toward war in the Western media, and in the societies they inform. The 243-minute documentary interlaces stark realities of combat with mordantly hilarious references to Hollywood fantasy-versions of war, and includes over 50 interviews with some of the world’s leading journalists, commentators, historians, newscasters and many others.
An enthralling, deeply moving memoir from one of our foremost American war correspondents. Janine Di Giovanni has spent most of her career—more than twenty years—in war zones recording events on behalf of the voiceless. From Sarajevo to East Timor, from Sierra Leone to Afghanistan, Iraq, and Somalia, she has been under siege and under fire.
Echoes of Violence: Letters from a War Reporter (Human Rights and Crimes against Humanity)
Echoes of Violence is an award-winning collection of personal letters to friends from a foreign correspondent who is trying to understand what she witnessed during the iconic human disasters of our time--in Iraq, Lebanon, Afghanistan, and New York City on September 11th, among many other places.
It's What I Do: A Photographer's Life of Love and War
War photographer Lynsey Addario’s memoir It’s What I Do is the story of how the relentless pursuit of truth, in virtually every major theater of war in the twenty-first century, has shaped her life.
With inspiring fearlessness, McClelland tackles perhaps her most harrowing assignment to date: investigating the damage in her own mind and repairing her broken psyche. She begins to probe the depths of her illness, exploring our culture's history with PTSD, delving into the latest research by the country's top scientists and therapists, and spending time with veterans and their families.
Annihilating Difference: The Anthropology of Genocide
This ground breaking book, the first collection of original essays on genocide to be published in anthropology, explores a wide range of cases, including Nazi Germany, Cambodia, Guatemala, Rwanda, and Bosnia.
Torture Team: Rumsfeld's Memo and the Betrayal of American Values
In 2002 Donald Rumsfeld signed a memo that authorized the controversial interrogation practices that later migrated to Guantanamo, Afghanistan, Abu Ghraib, and elsewhere. From a behind-the-scenes vantage point, Phillipe Sands investigates how this memo set the stage for divergence.
Shoah is Claude Lanzmann's landmark documentary meditation on the Holocaust. Assembled from footage shot by the filmmaker during the 1970s and 1980s, it investigates the genocide at the level of experience: the geographical layout of the camps and the ghettos; the daily routines of imprisonment; the inexorable trauma of humiliation, punishment, extermination; and the fascinating insights of those who experienced these events first hand.
Humankind has struggled to make sense of human-upon-human violence. Edited by two of anthropology's most passionate voices on this subject, "Violence in War and Peace: An Anthology" is the only book of its kind available: a single volume exploration of social, literary, and philosophical theories of violence.
A gripping and insightful examination of the relationship between news-makers and news-watchers, looking at how images of war and tragedy are presented to us in the media and how we consume them
Guzmán focuses on the similarities between astronomers researching humanity’s past, in an astronomical sense, and the struggle of many Chilean women who still search, after decades, for the remnants of their relatives executed during the dictatorship. Patricio Guzmán narrates the documentary himself and the documentary includes interviews and commentary from those affected and from astronomers and archeologists.
In his extraordinarily gripping and thought-provoking new book, Jeremy Bowen charts his progress from keen young novice whose first reaction to the sound of gunfire was to run towards it to the more circumspect veteran he is today
The Secret Life of War: Journeys Through Modern Conflict
The Observer's chief foreign correspondent Peter Beaumont, takes us into the guts of modern conflict. He visits the bombed and abandoned home of Mullah Omar; discovers a deserted Al Qaeda camp where he finds documents describing a plan to attack London; talks to young bomb-throwers in a Rafah refugee camp. Unflinching and utterly gripping
France's leading sociologist shows how, far from reflecting the tastes of the majority, television, particularly television journalism, imposes ever-lower levels of political and social discourse on us all.
Nickel and Dimed reveals low-rent America in all its tenacity, anxiety, and surprising generosity -- a land of Big Boxes, fast food, and a thousand desperate stratagems for survival. Read it for the smoldering clarity of Ehrenreich's perspective and for a rare view of how "prosperity" looks from the bottom.
Mindfulness: An Eight-Week Plan for Finding Peace in a Frantic World
MINDFULNESS reveals a set of simple yet powerful practices that you can incorporate into daily life to help break the cycle of anxiety, stress, unhappiness, and exhaustion. It promotes the kind of happiness and peace that gets into your bones. It seeps into everything you do and helps you meet the worst that life throws at you with new courage.
Full Catastrophe Living: Using the Wisdom of Your Body and Mind to Face Stress, Pain, and Illness
Full Catastrophe Living is a book for the young and the old, the well, the ill, and anyone trying to live a healthier and saner life in today’s world. By using the practices described within, you can learn to manage chronic pain resulting from illness and/or stress related disorders.
Slee: A Very Short Introduction, addresses the biological and psychological aspects of sleep, providing a basic understanding of what sleep is and how it is measured, a look at sleep through the human lifespan, and the causes and consequences of major sleep disorders.
King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa
King Leopold's Ghost is the haunting account of a megalomaniac of monstrous proportions, a man as cunning, charming, and cruel as any of the great Shakespearean villains. It is also the deeply moving portrait of those who fought Leopold: a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure and unexpectedly found themselves witnesses to a holocaust.
This is a new edition of the world's leading textbook on journalism. Translated into more than a dozen languages, David Randall's handbook is an invaluable guide to the 'universals' of good journalistic practice for professional and trainee journalists worldwide.
Legends of People Myths of State: Violence, Intolerance, and Political Culture in Sri Lanka
This provocative study of the political culture of nationalism in Sri Lanka and Australia - is one of the few genuinely comparative studies in anthropology and in taking up such an important question as nationalism it reminds us that truly relevant anthropology questions deep-seated cultural beliefs, including our own
Family Secrets: Shame and Privacy in Modern Britain
Family Secrets offers a sweeping account of how shame--and the relationship between secrecy and openness--has changed over the last two centuries in Britain. Deborah Cohen uses detailed sketches of individual families as the basis for comparing different sorts of social stigma.
During World War Two, 131 German cities and towns were targeted by Allied bombs, a good number almost entirely flattened. Six hundred thousand German civilians died—a figure twice that of all American war casualties. Seven and a half million Germans were left homeless. Given the astonishing scope of the devastation, W. G. Sebald asks: Why?
The Sewing Circles of Herat: A Personal Voyage Through Afghanistan
Christina Lamb's evocative reporting brings to life the stories that no one else had written about: the abandoned victims of almost a quarter century of war. Her unique perspective on Afghanistan and deep passion for the people she writes about make this the definitive account of the tragic plight of a proud nation.
House of Stone: The True Story of a Family Divided in War-Torn Zimbabwe
Christina Lamb's powerful narrative traces the history of the brutal civil war, independence, and the Mugabe years, all through the lives of two people on opposing sides. Although born within a few miles of each other, their experience growing up could not have been more different.
Butcher & Bolt: Two Hundred Years of Foreign Failure in Afghanistan
Butcher & Bolt brilliantly brings to life the personalities involved in Afghanistan’s relationship with the world, chronicling the misunderstandings and missed opportunities that have so often led to war.
Jerusalem 1913: The Origins of the Arab-Israeli Conflict
Jerusalem 1913 shows us a cosmopolitan city whose religious tolerance crumbled before the onset of Z ionism and its corresponding nationalism on both sides-a conflict that could have been resolved were it not for the onset of World War I. With extraordinary skill, Amy Dockser Marcus rewrites the story of one of the world's most indelible divides.
They Fought for Each Other: The Triumph and Tragedy of the Hardest Hit Unit in Iraq
Based on "Blood Brothers," the award-nominated series that ran in Army Times, this is the remarkable story of a courageous military unit that sacrificed their lives to change Adhamiya, Iraq from a lawless town where insurgents roamed freely, to a safe and secure neighborhood. This is a timeless story of men at war and a heartbreaking account of American sacrifice in Iraq.
The War Comes Home: Washington's Battle against America's Veterans
Aaron Glantz reported extensively from Iraq during the first three years of this war and has been reporting on the plight of veterans ever since. The War Comes Home is the first book to systematically document the U.S. government's neglect of soldiers returning from Iraq and Afghanistan.
Madame Dread: A Tale of Love, Vodou, and Civil Strife in Haiti
Kathie Klarreich's compelling memoir interweaves shattering political events with an intensely personal narrative about the Haitian musician Klarreich, who turns out to be as enthralling and complicated as the political events she covered.
In the tradition of Helter Skelter and In Cold Blood, Columbine is destined to be a classic. A close-up portrait of hatred, a community rendered helpless, and the police blunders and cover-ups, it is a compelling and utterly human portrait of two killers-an unforgettable cautionary tale for our times
Juvenile, photographer Joseph Rodríguez spent several years following several youths, from arrest, counseling, trial adjudication, and incarceration, to release, probation, house arrest, group homes, and the search for employment and meaning in their lives.
By age twelve, Luis Rodriguez was a veteran of East Los Angeles gang warfare. This story is at times heartbreakingly sad and brutal, Always Running is ultimately an uplifting true story, filled with hope, insight, and a hard-earned lesson for the next generation.
Still Here, documents the ongoing expressions of hope, perseverance, and suffering in the still-devastated communities of New Orleans and Texas post hurricane Katrina. Rodríguez spent two years photographing and interviewing families and individuals who shared their daily struggles to rebuild their lives.
Breaking News, Breaking Down, Two journalists' emotional journey after 9/11 & Katrina - This program tells the hidden story of how traumatic news impacts the men and women who cover it. Mike Walter loved chasing the big story, but on one September morning, the biggest story of his career chased him down: a jet rained from the sky, piercing the Pentagon and shattering his emotional well being.
One of the Guys: Women as Aggressors and Torturers
The debate about women and torture has, until recently, focused on women as victims of violence. The essays in One of the Guys challenge and examine the expectations placed on women while attempting to understand female perpetrators of abuse and torture in a broader context.
Monstering: Inside America's Policy of Secret Interrogations and Torture in the Terror War
Tara McKelvey — the first U.S.journalist to speak with female prisoners from Abu Ghraib — traveled to the Middle East and across the United States to seek out victims and perpetrators. McKelvey tells how soldiers, acting in an atmosphere that encouraged abuse and sadism, were unleashed on a prison population of which the vast majority, according to army documents, were innocent civilians.
Gogo Mama : A Journey Into the Lives of Twelve African Women
This book is a journey across Africa, in all its complexity; from the townships of Johannesburg, to the back alleys of Zanzibar; from the frontline of the war in the Sudan, to the nightclubs of Cairo. It is a vivid, illuminating and often haunting composite picture of an extraordinary continent, in the words of the women who know it best.
Shaking the Foundations: 200 Years of Investigative Journalism in America
This is the first anthology of its kind, bringing together outstanding practitioners of the muckraking tradition, from the Revolutionary era to the present day. Ranging from mainstream figures like Woodward and Bernstein to legendary iconoclasts such as I. F. Stone and Ida B. Wells-Barnett, the dispatches in this collection combine the thrill of the chase after facts with a burning sense of outrage
Trauma Therapy in Context: The Science and Craft of Evidence-based Practice
This book examines several current clinical approaches to trauma-focused treatment. Rather than describe theoretical approaches in isolation, the editors have integrated these interventions into a broader clinical context. Chapter authors emphasize basic therapeutic skills such as empathic listening, instilling resilience, and creating meaning, in the service of empirically-supported, highly efficacious trauma interventions.
Ari Goldman’s exploration of the emotional and spiritual aspects of spending a year in mourning for his father will resonate with anyone who has lost a loved one, as he describes how this year affected him as a son, husband, father, and member of his community.
What began as a project to deepen his knowledge of the world’s sacred beliefs turned out to be an extraordinary journey of spiritual illumination, one in which Goldman reexamined his own faith as an Orthodox Jew and opened his mind to the great religions of the world. Written with warmth, humor, and penetrating clarity, The Search for God at Harvard is a book for anyone who has wrestled with the question of what it means to take religion seriously today.
Being Jewish: The Spiritual and Cultural Practice of Judaism Today
In Being Jewish, Ari L. Goldman offers eloquent thoughts about an absorbing exploration of modern Judaism. A bestselling author and widely respected chronicler of Jewish life, Goldman vividly contrasts the historical meaning of Judaism's heritage with the astonishing and multiform character of the religion today.
This book is a collection of reflective crime pieces, often approaching the events from different angles, yet written by on-the spot observers and reporters. There is an emphasis on the victims, and as a result these stories are written with sensitivity and compassion rather than sensationalism.
Over twenty-five tales of grisly murders and suspicious killings are laid out for inspection, including the story of the Police Killers and tales of the seedy Melbourne underworld.
This fully revised and updated new edition of Smart Health Choices will provide you with the tools for assessing health advice, whether it comes from a specialist, general practitioner, naturopath, the media, the Internet, or a friend. It shows you how to take an active role in your health care, and to make the best decisions for you and your loved ones based on personal preferences and the best available evidence.
The Spanish-language version of the Dart Center's 40-page guide to help journalists, photojournalists and editors report on violence while protecting both victims and themselves.
9/11: Mental Health in the Wake of Terrorist Attacks
This book comprehensively describes the psychological response to the 9/11 terrorist attacks in New York and, to a lesser degree, Washington DC. The impact of what happened on the local and US national population is considered through various epidemiological studies, as well as personal accounts from some of those more directly involved.
Filled with astonishing personal stories, conflict, and drama, Feet to the Fire gives readers the rare opportunity to walk a mile in the shoes of this nation’s most powerful journalists and news executives and experience their highly stressful environments. With each new and revealing interview, Borjesson gathers devastating details from national security and intelligence reporters, White House journalists, Middle East experts, war correspondents, and others. Like pieces of a terrible puzzle, these conversations combine to provide a hair-raising view of the mechanisms by which the truth has been manufactured post 9/11.
Chronicling Trauma: Journalists and Writers on Violence and Loss
Grounded in the latest research in the fields of trauma studies, literary biography, and the history of journalism, this study draws upon the lively and sometimes breathtaking accounts of popular writers such as Charles Dickens, Ernest Hemingway, Dorothy Parker, Graham Greene, and Truman Capote, exploring the role that trauma has played in shaping their literary works. Underwood notes that the influence of traumatic experience upon journalistic literature is being reshaped by a number of factors, including news media trends, the advance of the Internet, the changing nature of the journalism profession, the proliferation of psychoactive drugs, and journalists' greater self-awareness of the impact of trauma in their work.
Daring to Feel: Violence, the News Media, and Their Emotions
Daring to Feel is a bold, brave book. Jody Santos challenges the entrenched doctrine that journalists are neutral, dispassionate observers of 'fact.' Santos demonstrates how journalists themselves and society as a whole benefit from emotionally nuanced and emotionally engaged reporting. This is a beautifully written tribute to the passion of journalists and the heart-wrenching stories they cover.
The Things They Cannot Say: Stories Soldiers Won't Tell You About What They've Seen, Done or Failed to Do in War
In The Things They Cannot Say, award-winning journalist and author Kevin Sites asks these difficult questions of eleven soldiers and marines, who—by sharing the truth about their wars—display a rare courage that transcends battlefield heroics. For each of these men, many of whom Sites first met while in Afghanistan and Iraq, the truth means something different. One struggles to recover from a head injury he believes has stolen his ability to love; another attempts to make amends for the killing of an innocent man; yet another finds respect for the enemy fighter who tried to kill him. Sites also shares the unsettling narrative of his own failures during war—including his complicity in a murder—and the redemptive powers of storytelling that saved him from a self-destructive downward spiral.
Kevin Sites, the award-winning journalist, covered virtually every major global hot spot as the first Internet correspondent for Yahoo! News. Beginning his journey with the anarchic chaos of Somalia in September 2005 and ending with the Israeli-Hezbollah war in the summer of 2006, Sites talks with rebels and government troops, child soldiers and child brides, and features the people on every side, including those caught in the cross fire. His honest reporting helps destroy the myths of war by putting a human face on war's inhumanity.
Swimming with Warlords: A Dozen-Year Journey Across the Afghan War
Using his trademark immersive style, Kevin Sites uncovered surprising stories with unexpected truths. He swam in the Kunduz River with an infamous warlord named Nabi Gechi, who demonstrated both his fearsome killing skills as well as a genius for peaceful invention. Sites talked with ex-Taliban fighters, politicians, female cops, farmers, drug addicts, and diplomats, and patrolled with American and Afghan soldiers. In Swimming with Warlords he helps us to understand this kingdom of primitive beauty, dark mysteries, and savage violence, as well as the conflict that has cost billions of dollars and thousands of lives--and what we might expect tomorrow and in the years to come.
The Price They Paid is the stunning and dramatic true story of a legendary helicopter commander in Vietnam and the flight crews that followed him into the most intensive helicopter warfare ever—and how that brutal experience has changed their lives in the forty years since the war ended.
What Have We Done: The Moral Injury of Our Longest Wars
Most Americans are now familiar with PTSD and its prevalence among troops. In this groundbreaking book, David Wood examines the far more pervasive yet less understood experience of those we send to war: moral injury, the violation of our fundamental values of right and wrong that so often occurs in the impossible moral dilemmas of modern conflict.
Collective Conviction: The Story of Disaster Action
Collective Conviction tells the story of Disaster Action, a small charity founded in 1991 by survivors and bereaved people from the disasters of the late 1980s, including Zeebrugge, King's Cross, Clapham, Lockerbie, Hillsborough and the Marchioness. The aims were to create a health and safety culture in which disasters were less likely to occur and to support others affected by similar events.
When Lynne O’Donnell met Pauline and Margaret in Iraq she could never have guessed the wealth of stories she’d discover. Over tea the two women tell Lynne of their lives in the country: each having married Iraqi men had then relocated from England more than thirty years before.
Trauma Reporting A Journalist's Guide to Covering Sensitive Stories
Trauma Reporting provides vital information on developing a healthy, professional and respectful relationship with those who choose to tell their stories during times of trauma, distress or grief.
